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	<title>BREAKALEGG &#187; Monologues</title>
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		<title>MONOLOGUE: &#8220;Deliver me the key&#8221; (male,classical, comedic)</title>
		<link>http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/</link>
		<comments>http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 05:18:33 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>
		<category><![CDATA[SHAKESPEAR]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1272</guid>
		<description><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Shakespears' "The Merchant of Venice" Let me say this is one of my favorite plays, and there are just so many monologues worth while. Funny enough, they arent as used for auditions as they could be so they still seem refreshingly unexpected. This one is by the Prince of Morrocco as he deliberates which chest to open: gold, silver or lead. </em>: </p>
 <p>Continue reading <a href="http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/">MONOLOGUE: &#8220;Deliver me the key&#8221; (male,classical, comedic)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Shakespears&#8217; &#8220;The Merchant of Venice&#8221; Let me say this is one of my favorite plays, and there are just so many monologues worth while. Funny enough, they arent as used for auditions as they could be so they still seem refreshingly unexpected. This one is by the Prince of Morrocco as he deliberates which chest to open: gold, silver or lead. </em>: </p>
<p>Some god direct my judgment! Let me see&#8211;I will survey th&#8217; inscriptions back again.</p>
<p><img src="http://www.breakalegg.com/wp-content/uploads/2009/06/Picture-31.png" alt="Picture 3" title="Picture 3" class="alignright size-full wp-image-1279" /></p>
<p>What says this leaden casket? &#8216;Who chooseth me must give and hazard all he hath.&#8217;</p>
<p>Must give &#8212; for what? for lead! hazard for lead? This casket threatens; men that hazard all</p>
<p>Do it in hope of fair advantages. A golden mind stoops not to shows of dross;</p>
<p>I&#8217;ll then nor give nor hazard aught for lead. What says the silver with her virgin hue?</p>
<p>&#8216;Who chooseth me shall get as much as he deserves.&#8217; As much as he deserves? Pause there, Morocco,</p>
<p>And weigh thy value with an even hand: If thou be&#8217;st rated by thy estimation,</p>
<p>Thou dost deserve enough; and yet enough May not extend so far as to the lady;</p>
<p>And yet to be afeard of my deserving Were but a weak disabling of myself.</p>
<p>As much as I deserve? Why that&#8217;s the lady! I do in birth deserve her, and in fortunes,</p>
<p>In graces, and in qualities of breeding; But more than these, in love I do deserve.</p>
<p>What if I strayed no farther, but chose here? Let&#8217;s see once more this saying graved in gold:</p>
<p>&#8216;Who chooseth me shall gain what many men desire.&#8217; Why that&#8217;s the lady! All the world desires her;</p>
<p>From the four corners of the earth they come To kiss this shrine, this mortal breathing saint.</p>
<p>The Hyrcanian deserts and the vasty wilds Of wide Arabia are as thoroughfares now</p>
<p>For princes to come view fair Portia. The watery kingdom, whose ambitious head</p>
<p>Spits in the face of heaven, is no bar To stop the foreign spirits, but they come</p>
<p>As o&#8217;er a brook to see fair Portia. One of these three contains her heavenly picture.</p>
<p>Is&#8217;t like that lead contains her? &#8216;Twere damnation To think so base a thought; it were too gross</p>
<p>To rib her cerecloth in the obscure grave. Or shall I think in silver she&#8217;s immured,</p>
<p>Being ten times undervalued to tried gold? O sinful thought! Never so rich a gem</p>
<p>Was set in worse than gold. They have in England A coin that bears the figure of an angel</p>
<p>Stamped in gold &#8212; but that&#8217;s insculped upon; But here an angel in a golden bed</p>
<p>Lies all within. Deliver me the key. Here do I choose, and thrive I as I may!</p>
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		<title>MONOLOGUE: &#8220;Collaboration&#8221; by Kellie Powell (female, contemp.)</title>
		<link>http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/</link>
		<comments>http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/#comments</comments>
		<pubDate>Mon, 25 May 2009 12:34:48 +0000</pubDate>
		<dc:creator>Admin</dc:creator>
				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[ACTING]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

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		<description><![CDATA[<em>Like every week we post a monologue for you to enjoy. This week it’s from Kellie Powells' play: Collaboration. It is a contemporary female role.</em>

<strong><span style="font-family: verdana;"><em>Kim confesses to her friend (and sometimes-lover) Shane</em></span><span style="font-family: verdana;"><em>hat she has been in love with him for  several years.</em></span></strong> <p>Continue reading <a href="http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/">MONOLOGUE: &#8220;Collaboration&#8221; by Kellie Powell (female, contemp.)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Kellie Powells&#8217; play: Collaboration. It is a contemporary female role.</em></p>
<p><strong><span style="font-family: verdana;"><em>Kim confesses to her friend (and sometimes-lover) Shane</em></span><span style="font-family: verdana;"><em>hat she has been in love with him for  several years.</em></span></strong></p>
<p><strong><span style="font-family: verdana;">KIM:</span></strong><span style="font-family: verdana;"> I wanted those moments &#8211; few and far between as they were&#8230; I wanted whatever time and affection  you could give me. No matter what it cost me. I felt like you found comfort in me. And maybe I wasn&#8217;t  your first choice, you know? But I was glad that I was somewhere on the list. I let it happen again  and again, more times than I can even count.</span></p>
<p><span style="font-family: verdana;">You wanted to keep things casual, you wanted to keep me at arm&#8217;s length. It didn&#8217;t matter. I love you  anyway. I&#8217;ve seen the best and the worst of you&#8230; and I love you. I love your kindness, and your  strength. I love the way you can tell me what I&#8217;m thinking. I love the way you tell a story, drawing  me in. I love you for all the times you convinced me, with a stupid joke, or even just a look&#8230;  to stop taking myself so seriously and just <em>enjoy my life</em>. Nothing could ever make me regret the  way I feel about you. What I feel for you isn&#8217;t a negative thing. It makes me better, it makes my life  better. That&#8217;s what I&#8217;ve been trying to say: That love is never wrong.</span></p>
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		<title>MONOLOGUE: &#8220;CAPTAINS MONOLOGUE&#8221; By August Strindberg (male, Dramatic, 1916)</title>
		<link>http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/</link>
		<comments>http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/#comments</comments>
		<pubDate>Fri, 01 May 2009 12:28:44 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1159</guid>
		<description><![CDATA[<em>Like every week we post a monologue for you to enjoy. This week it's from August Strindberg play: The Father. It is a senior male role. Enjoy</em>

<strong>CAPTAIN:</strong> Come in, and we'll talk. I heard you out there                         listening. It is late, but we must come to some decision. Sit                         down. <em>[Pause]</em> <p>Continue reading <a href="http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/">MONOLOGUE: &#8220;CAPTAINS MONOLOGUE&#8221; By August Strindberg (male, Dramatic, 1916)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it&#8217;s from August Strindberg play: The Father. It is a senior male role. Enjoy</em></p>
<p><strong>CAPTAIN:</strong> Come in, and we&#8217;ll talk. I heard you out there                         listening. It is late, but we must come to some decision. Sit                         down. <em>[Pause]</em> I have been at the post office tonight to                         get my letters. From these it appears that you have been keeping                         back my mail, both coming and going. The consequence of which                         is that the loss of time has as good as destroyed the result                         I expected from my work. In consequence of all this I have intercepted                         letters addressed to you. It appears from these letters that                         for some time past you have been arraying my old friends against                         me by spreading reports about my mental condition. And you have                         succeeded in your efforts, for now not more than one person exists                         from the Colonel down to the cook, who believes that I am sane.                         Now these are the facts about my illness; my mind is sound, as                         you know, so that I can take care of my duties in the service                         as well as my responsibilities as a father; my feelings are more                         or less under my control, as my will has not been completely                         undermined; but you have gnawed and nibbled at it so that it                         will soon slip the cogs, and then the whole mechanism will slip                         and go smash. <em>[Pause]</em> I have worked and slaved for you,                         your child, your mother, your servants; I have sacrificed promotion                         and career; I have endured torture, flaggellation, sleeplessness,                         worry for your sake, until my hair has grown gray; and all that                         you might enjoy a life without care, and when you grew old, enjoy                         life over again in your child. This is the commonest kind of                         theft, the most brutal slavery. <em>[Cries]</em> I thought I was                         completing myself when you and I became one, and therefore you                         were allowed to rule, and I, the commander at the barracks and                         before the troops, became obedient to you, grew through you,                         looked up to you as to a more highly-gifted being, listened to                         you as if I had been your undeveloped child. You always had the                         advantage. You could hypnotize me when I was wide awake, so that                         I neither saw nor heard, but merely obeyed; you could give me                         a raw potato and make me imagine it was a peach; you could force                         me to admire your foolish caprices as though they were strokes                         of genius. You could have influenced me to crime, yes, even to                         mean, paltry deeds. Because you lacked intelligence, instead                         of carrying out my ideas you acted on your own judgment. But                         when at last I awoke, I realized that my honor had been corrupted                         and I wanted to blot out the memory by a gread deed, an achievement,                         a discovery, or an honorable suicide. I wanted to go to war,                         but was not permitted. It was then that I threw myself into science.                         And now when I was about to reach out my hand to gather in its                         fruits, you chop off my arm. Now I am dishonored and can live                         no longer, for a man cannot live without honor.</p>
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		<title>MONOLOGUE: &#8220;Manhattan&#8221; By Woody Allen. (Male, contemporary)</title>
		<link>http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/</link>
		<comments>http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 10:15:09 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1111</guid>
		<description><![CDATA[<strong>Ike:</strong> "Chapter One.  He adored New York City.  He idolized it all  out of proportion."  Uh, no, make that: "He-he...romanticized it all out of  proportion.  Now...to him...no matter what the season was, this was still a town  that existed in black and white and pulsated to the great tunes of George Gershwin."  Ahhh, now let me start this over.  "Chapter... <p>Continue reading <a href="http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/">MONOLOGUE: &#8220;Manhattan&#8221; By Woody Allen. (Male, contemporary)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>Ike:</strong> &#8220;Chapter One.  He adored New York City.  He idolized it all  out of proportion.&#8221;  Uh, no, make that: &#8220;He-he&#8230;romanticized it all out of  proportion.  Now&#8230;to him&#8230;no matter what the season was, this was still a town  that existed in black and white and pulsated to the great tunes of George Gershwin.&#8221;  Ahhh, now let me start this over.  &#8220;Chapter One.  He was too romantic about Manhattan  as he was about everything else.  He thrived on the hustle&#8230;bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles.&#8221;  Nah, no&#8230;corny, too corny&#8230;for&#8230;my taste.<br />
<strong>[He clears his throat]</strong><br />
I mean, let me try and make it more profound. &#8220;Chapter One. He adored New York City. To him, it was a metaphor for the decay of the contemporary culture. The same lack of individual integrity to cause so many people to take the easy way out&#8230;was rapid ly turning the town of his dreams in&#8211;&#8221; No, it&#8217;s gonna be too preachy. I me and, you know&#8230;let&#8217;s face it, I wanna sell some books here. &#8220;Chapter One. He adored New York City, although to him, it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage.&#8221; Too angry. I don&#8217;t wanna be angry. &#8220;Chapter One. He was as&#8230;tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.&#8221; I love this. &#8220;New York was his town. And it always would be.&#8221;</p>
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		<title>MONOLOGUE: THE LOWER DEPTHS by Maxim Gorky (Female, dram.)</title>
		<link>http://www.breakalegg.com/2009/04/07/monologue-the-lower-depths-by-maxim-gorky-female-dram/</link>
		<comments>http://www.breakalegg.com/2009/04/07/monologue-the-lower-depths-by-maxim-gorky-female-dram/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 09:51:31 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1023</guid>
		<description><![CDATA[<strong>NASTYA:</strong> At night he came into the garden. I had been                         waiting for him quite awhile. I trembled with fear and grief--he                         trembled, too . . . he was a white as chalk--and he had the pistol                         in his hand . . . and he says to me in a dreadful voice: "My                         precious darling ... <p>Continue reading <a href="http://www.breakalegg.com/2009/04/07/monologue-the-lower-depths-by-maxim-gorky-female-dram/">MONOLOGUE: THE LOWER DEPTHS by Maxim Gorky (Female, dram.)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>NASTYA:</strong> At night he came into the garden. I had been                         waiting for him quite awhile. I trembled with fear and grief&#8211;he                         trembled, too . . . he was a white as chalk&#8211;and he had the pistol                         in his hand . . . and he says to me in a dreadful voice: &#8220;My                         precious darling &#8230; My one and only love,&#8221; he says, &#8220;my                         parents,&#8221; he says, &#8220;refuse to give their consent to                         our wedding&#8211;and threaten to disown me because of my love for                         you. Therefore,&#8221; he says, &#8220;I must take my life.&#8221;                         And his pistol was huge&#8211;and loaded with ten bullets . . . &#8220;Farewell,&#8221;                         he says, &#8220;beloved comrade! I have made up my mind for good                         and all . . . I can&#8217;t live without you . . .&#8221; and I replied:                         &#8220;My unforgettable friend&#8211;my Raoul&#8211;joy of my life! My bright                         moon! I, too, I can&#8217;t live without you&#8211;because I love you madly,                         so madly&#8211;and I shall keep on loving you as long as my heart                         beats in my bosom. But&#8211;&#8221; I say&#8211;&#8221;don&#8217;t take your young                         life! Think how necessary it is to your dear parents whose only                         happiness you are. Leave me! Better that I should perish from                         longing for you, my life! I alone! I&#8211;ah&#8211;as such, such! Better                         that I should die&#8211;it doesn&#8217;t matter . . . I am of no use to                         the world&#8211;I have nothing, nothing at all&#8211;&#8221; <em>[Covers                         her face with her hand and weeps--then jumping up.]</em> Shut                         up, you bastards! Ah&#8211;you lousy mongrels! So help me God&#8211;it                         happened! It happened! He was a student, a Frenchman&#8211;Gastotcha                         was his name&#8211;he had a little black beard&#8211;and patent leathers&#8211;may                         God strike me dead if I&#8217;m lying! And he loved me so&#8211;my God,                         how he loved me!</p>
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		<title>MONOLOGUE: THE ROMANTIC YOUNG LADY by Gregorio Martinez (Femae, comedic, 1920&#8242;s)</title>
		<link>http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/</link>
		<comments>http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/#comments</comments>
		<pubDate>Sun, 08 Feb 2009 14:42:58 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=950</guid>
		<description><![CDATA[<strong>DOÑA BARBARITA:</strong> I was jealous of every woman my first husband looked in the face ... and he was a portrait painter, do you remember? My second husband suffered tortures from his own jealousy ... of your grandfather. That was premature, but prophetic, for your dear grandfather was our neighbor in those days and he used to stand and look at me from his balcony. And then he in his turn tortured himself... <p>Continue reading <a href="http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/">MONOLOGUE: THE ROMANTIC YOUNG LADY by Gregorio Martinez (Femae, comedic, 1920&#8242;s)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>DOÑA BARBARITA:</strong> I was jealous of every woman                         my first husband looked in the face &#8230; and he was a portrait                         painter, do you remember? My second husband suffered tortures                         from his own jealousy &#8230; of your grandfather. That was premature,                         but prophetic, for your dear grandfather was our neighbor in                         those days and he used to stand and look at me from his balcony.                         And then he in his turn tortured himself, poor man, with jealousy                         of my second husband, who was dead by that time to be sure &#8230;                         but that only seemed to make it worse. When I think of the times                         I&#8217;ve walked into my first husband&#8217;s studio, shaking all over,                         to see what sort of woman he was painting this time &#8230; and how                         much of her, and of the times when I&#8217;d glance up at your grandfather                         on his balcony and let my dear second husband imagine &#8230; God                         forgive me &#8230; that I was smiling at him; and then when your                         grandfather would catch me looking at my poor second husband&#8217;s                         portrait &#8230; my first husband had painted it while they were                         both alive &#8230; and if I wanted to drive him to fury, I&#8217;d only                         to give one sigh. Well, now they&#8217;re in Heaven all three and I&#8217;m                         almost sorry I worried them so. <em>[She kisses the three pictures.] </em>But never forget that I was an obedient wife, gentle and                         loving, an angel of the fireside, an angel in crinoline. No doubt                         it&#8217;s far nobler to &#8220;live your own life&#8221; (isn&#8217;t that                         what you call it?) but I fear you&#8217;ll never find it so amusing.</p>
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		<title>MONOLOGUE: POOR JOHN by Gregorio Martinez Sierra (Male, comedy, contemp)</title>
		<link>http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/</link>
		<comments>http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/#comments</comments>
		<pubDate>Sun, 02 Nov 2008 09:43:53 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
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		<description><![CDATA[<p><em><strong>JOHN:</strong></em> How can you expect a man to be brave when he meets with nothing in life but misfortune? Everything has gone wrong with me since the day I was born. Whatever I put my hand to fails utterly. You know it better than I do. I was brought up to be rich, and I am poor. I studied law, and I cannot string three words together. A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly. To save the little that remains to us after the folly of my father, I need to be unscrupulous and bold, yet my mother, God bless her, has taught me to be good, good, always good! Yes, laugh &#8230; but this is not living.&#8230;</p> <p>Continue reading <a href="http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/">MONOLOGUE: POOR JOHN by Gregorio Martinez Sierra (Male, comedy, contemp)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em><strong>JOHN:</strong></em> How can you expect a man to be brave when he meets with nothing in life but misfortune? Everything has gone wrong with me since the day I was born. Whatever I put my hand to fails utterly. You know it better than I do. I was brought up to be rich, and I am poor. I studied law, and I cannot string three words together. A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly. To save the little that remains to us after the folly of my father, I need to be unscrupulous and bold, yet my mother, God bless her, has taught me to be good, good, always good! Yes, laugh &#8230; but this is not living. I don&#8217;t know what I should do if it were not for you. If it were not for you &#8230; I might be the one who shot myself. But you have been so good to me, so kind &#8230; all the happiness I have ever known in my life until now, has sprung from you&#8211;it may have been only a little, now and then, in small things, trifles, help, advice. It was presumptuous of me, Mariana, but I am so accustomed to relying upon you, that I imagined that the treasure was all mine. Besides, I love you so&#8211;why should you not be all goodness, Mariana, and take me like a little child into your life, like a toy that you play with, or a dog of which you are fond? But let me be yours, all yours, because I love you! If you could love me only a little I should be satisfied. A little is enough.</p>
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		<title>MONOLOGUE:THE BACHELOR&#8217;S SOLILOQUY by Anonymous (male, classic, comedy)</title>
		<link>http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/</link>
		<comments>http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/#comments</comments>
		<pubDate>Sat, 18 Oct 2008 10:41:50 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[CLASSIC]]></category>
		<category><![CDATA[COMEDY]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=609</guid>
		<description><![CDATA[<p><a href="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001.jpg"><img class="size-medium wp-image-610 alignright" title="sb10067018e-001" src="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001-225x300.jpg" alt="&#60;p&#62;&#60;/p&#62;" width="225" height="300" /></a></p>
<p>BACHELOR: To wed, or not to wed;&#8211;that is the question:</p>
<p>Whether &#8217;tis nobler in a man to suffer<br />
The slings and sorrows of that blind young archer;<br />
Or fly to arms against a host of troubles,</p>
<p>And at the altar end them. To woo&#8211;to wed&#8211;<br />
No more; and by this step to say we end<br />
The heartache, and the thousand hopes and fears<br />
The single suffer&#8211;&#8217;tis a consummation</p>
<p>Devoutly to be wished. To woo&#8211;to wed;&#8211;<br />
To wed&#8211;perchance repent!&#8211;ay, there&#8217;s the rub;<br />
For in that wedded state, what woes may come<br />
When we have launched upon that untried sea<br />
Must give us pause. There&#8217;s the respect</p>
<p>That makes celibacy of so long life;<br />
For who would bear the quips and jeers of friends,<br />
The husband&#8217;s pity, and the coquette&#8217;s scorn,<br />
The vacant hearth, the solitary cell,<br />
The&#8230;</p> <p>Continue reading <a href="http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/">MONOLOGUE:THE BACHELOR&#8217;S SOLILOQUY by Anonymous (male, classic, comedy)</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001.jpg"><img class="size-medium wp-image-610 alignright" title="sb10067018e-001" src="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001-225x300.jpg" alt="&lt;p&gt;&lt;/p&gt;" width="225" height="300" /></a></p>
<p>BACHELOR: To wed, or not to wed;&#8211;that is the question:</p>
<p>Whether &#8217;tis nobler in a man to suffer<br />
The slings and sorrows of that blind young archer;<br />
Or fly to arms against a host of troubles,</p>
<p>And at the altar end them. To woo&#8211;to wed&#8211;<br />
No more; and by this step to say we end<br />
The heartache, and the thousand hopes and fears<br />
The single suffer&#8211;&#8217;tis a consummation</p>
<p>Devoutly to be wished. To woo&#8211;to wed;&#8211;<br />
To wed&#8211;perchance repent!&#8211;ay, there&#8217;s the rub;<br />
For in that wedded state, what woes may come<br />
When we have launched upon that untried sea<br />
Must give us pause. There&#8217;s the respect</p>
<p>That makes celibacy of so long life;<br />
For who would bear the quips and jeers of friends,<br />
The husband&#8217;s pity, and the coquette&#8217;s scorn,<br />
The vacant hearth, the solitary cell,<br />
The unshared sorrow, and the void within,<br />
When he himself might his redemption gain</p>
<p>With a fair damsel. Who would beauty shun<br />
To toil and plod over a barren heath;<br />
But that the dread of something yet beyond&#8211;</p>
<p>The undiscovered country, from whose bourne<br />
No bachelor returns&#8211;puzzles the will,<br />
And makes us rather bear those ills we have</p>
<p>Than fly to others that we know not of!<br />
Thus forethought does make cowards of us all,<br />
And thus the native hue of resolution<br />
Is sicklied o&#8217;er with the pale cast of thought,<br />
And numberless flirtations, long pursued,</p>
<p>With this regard, their currents turn awry<br />
And lose the name of marriage.</p>
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		<title>MONOLOGUE: DOG ASSASSIN by Stephen A Schrum  (Female, contemporary)</title>
		<link>http://www.breakalegg.com/2008/10/11/monologue-dog-assassin-by-stephen-a-schrum-female-contemporary/</link>
		<comments>http://www.breakalegg.com/2008/10/11/monologue-dog-assassin-by-stephen-a-schrum-female-contemporary/#comments</comments>
		<pubDate>Sat, 11 Oct 2008 14:00:25 +0000</pubDate>
		<dc:creator>Admin</dc:creator>
				<category><![CDATA[Monologues]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=448</guid>
		<description><![CDATA[<em><strong>BOB makes some extra money killing noisy dogs for bothered neighbors. HE then meets AMBER, who – typically, as SHE does with every man – falls in love with HIM after one encounter. In this monologue, AMBER calls BOB and leaves a message on his answering machine.. </strong></em> <p>Continue reading <a href="http://www.breakalegg.com/2008/10/11/monologue-dog-assassin-by-stephen-a-schrum-female-contemporary/">MONOLOGUE: DOG ASSASSIN by Stephen A Schrum  (Female, contemporary)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em><strong>BOB makes some extra money killing noisy dogs for bothered neighbors. HE then meets AMBER, who – typically, as SHE does with every man – falls in love with HIM after one encounter. In this monologue, AMBER calls BOB and leaves a message on his answering machine. </strong></em></p>
<p><strong>AMBER:</strong> Hi Bob! Uh, I never know what to say on these things…I hope you don’t mind me calling you! Before I left this morning, I wrote your number down so I could call you and give you my number. Its really easy to remember: its 555followed by 4321. Its like a countdown before a blast-off, one of my ex-boyfriends used to say. And he was really into phone sex! Oh! I guess I shouldn’t talk about ex-boyfriends, should I? Ummmmm… Well, that’s my number: 555-4321. You wont forget it will you? I hope not. I really want you to call me. Last night was very special to me. I never met anyone like you. I feel your really sensitive and sweet, and I want to see you again. I loved how you washed my hair in the shower this morning! Even my hairdresser isn’t that gentle when he does it, and hes gay! Oh! I didn’t mean to suggest you were gay, I just think your really strong and exciting, too! So call me, ok? I hope Im not being too pushy, I know some guys don’t like that, but I really want to see you again. (<em>Pause)</em>. Okay, I gotta go. Call me, please? You really made a difference in my life. Bye!</p>
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		<title>MONOLOGUE: ETA: PHOENIX by Nick Zagone (male, contemp, comedic)</title>
		<link>http://www.breakalegg.com/2008/10/04/monologue-eta-phoenix-by-nick-zagone-male-contemp-comedic/</link>
		<comments>http://www.breakalegg.com/2008/10/04/monologue-eta-phoenix-by-nick-zagone-male-contemp-comedic/#comments</comments>
		<pubDate>Sat, 04 Oct 2008 15:58:19 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=372</guid>
		<description><![CDATA[<strong>GREG:</strong> I said what are your intentions Johnny? I know. You come here to Phoenix to sell me your frames, maybe fit in some 'gars and golf. But intentions… The fact of the matter is John our father's taught us well. Price. Margins. Inventory. The power of a handshake... <p>Continue reading <a href="http://www.breakalegg.com/2008/10/04/monologue-eta-phoenix-by-nick-zagone-male-contemp-comedic/">MONOLOGUE: ETA: PHOENIX by Nick Zagone (male, contemp, comedic)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>GREG:</strong> I said what are your intentions Johnny? I know. You come here to Phoenix to sell me your frames, maybe fit in some &#8216;gars and golf. But intentions… The fact of the matter is John our father&#8217;s taught us well. Price. Margins. Inventory. The power of a handshake. Live to close. Close to live. &#8220;Never make them buy a product, you make them buy&#8211; an opportunity.&#8221; You have one. Ten Grand is a fair deal. But what exactly. Are. Your. Intentions.</p>
<p><em> [Greg is about to putt, but stops short.] </em></p>
<p>Hey, it all comes down to intentions. Intentions Johnny. Yours. Mine. The worlds? The fact of the matter is I&#8217;m glad you came John. Very. We&#8217;ve always been close. Two men each carrying out their respected father&#8217;s wishes. That&#8217;s more than just business acquaintances. That&#8217;s a connection. Sorry about the old man by the way. Damn shame. But enough business. The fact of the matter is your trip to Phoenix couldn&#8217;t have come at a better time. Heather and I just parted ways. Not much to tell. It all comes back to intentions John! Heather was always a bit self-conscious. Preoccupied with her looks. Always a great body. A very &#8220;hot&#8221; body. But for whose intentions? The fact of the matter is Johnny&#8211; somewhere she crossed the line. I mean&#8211;She wasn&#8217;t well. Psychologically. Between you and me? All she&#8217;d eat? Carrots. Carrots! Raw carrots John. That&#8217;s all she was eating. Breakfast. Lunch. Dinner. Swear to God. Carrots. Even if we went out to eat, she&#8217;d throw down the menu and pull out a carrot. I didn&#8217;t have a wife. I had a rabbit. But that&#8217;s not all. It got worse. Listen I don&#8217;t know if you know what happens when all your diet consists of is carrots, especially in sun like this… the fact of the matter is Johnny: Heather turned orange. My wife. Her skin. My wife was orange. The carrots and the melanin or the keratin and this climate…? I don&#8217;t know Johnny, but when you come home and there&#8217;s something orange sitting on your couch watching Oprah and eating a carrot, and you can&#8217;t get to your beer in the refrigerator because it&#8217;s filled top to bottom with carrots, and everywhere you go you&#8217;re seeing carrots… the fact of the matter is Johnny and I&#8217;m trying like hell to quit saying &#8220;the fact of the matter is,&#8221; but the fact of the matter is&#8211; it gives you pause. What were her intentions John? What were her intentions for turning orange? Were they hers at all? Were they mine? Yours? The world&#8217;s? The questions are confounding. But we must believe in our answers. <em>[Greg finally putts. He misses.]</em> Goddamned son of a bitchin&#8217; cocksucking bastards! <em>[He breaks his putter.]</em> Bastards!<em> [A pause</em>] Tell you what. I&#8217;m gonna take an eleven. [<em>He picks up his ball</em>.] The next hole has a ball washer! [<em>He exits.]</em></p>
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