Accent Training

Accents are a funny thing. Some actors feel that walking into the auditioning room after having prepared the role with an accent (whether it is required for the part or not) liberates them creatively and allows them to fully enjoy the moment, thus living up to the saying "have fun with it" every single time. Almost as if putting on a mask that disengages them from the reality of an audition setting.

For most others, its baffling and severely hindering because unless you are confident enough in said accent; your mind wont allow you to focus on anything but GETTING IT RIGHT. Let alone being honest and listening to a Casting Director or the reader. The worst part about this particular problem comes when the role strictly requires a certain dialect. Obviously NOTHING, not even a casting director you says they want a Standard British Accent should make…

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BOOK REVIEW: ACCENTS By Robert Blumenfeld

Like every week we post a book review on a subject related to acting, health, personal growth or anything related to the showbiz industry. In this case its Robert Blumenfeld’s revised and expanded edition of “Accents: A manual for actors”.

It’s a great tool to give us actors and one that is so complete is hard to come along. The one-place to find it all.

The book includes:
-Asian Accents: Chinese, Mandarin, Cantonese, Japanese, Korean, Vietnamese, Burmese, Thai, Indonesian….etc
-African Accents: South African, Zulu, Sub-Saharan, Ethiopian, Nigerian, Ugandan, Congo, Swahili…etc.
-Middle Eastern: Arabic Accents, Egyptian, Hebrew, Persian…etc
-Slavic Accents: Russian, Ukrainian, Polish, Slovak, Czech, Bulgarian, Serbo-Croatian…
-Germanic Accents: German, Prussian, Bavarian, Viennese, Yiddish, Dutch, Norwegian, Danish, Swedish…etc
-Romance Accents: French, Spanish, Italian, Portuguese, Romanian…etc.

But what is truly impressive is that it separates…

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