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	<title>BREAKALEGG &#187; MONOLOGUE</title>
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		<title>MONOLOGUE: &#8220;Deliver me the key&#8221; (male,classical, comedic)</title>
		<link>http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/</link>
		<comments>http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 05:18:33 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>
		<category><![CDATA[SHAKESPEAR]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1272</guid>
		<description><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Shakespears' "The Merchant of Venice" Let me say this is one of my favorite plays, and there are just so many monologues worth while. Funny enough, they arent as used for auditions as they could be so they still seem refreshingly unexpected. This one is by the Prince of Morrocco as he deliberates which chest to open: gold, silver or lead. </em>: </p>
 <p>Continue reading <a href="http://www.breakalegg.com/2009/06/21/monologue-deliver-me-the-key-maleclassical-comedic/">MONOLOGUE: &#8220;Deliver me the key&#8221; (male,classical, comedic)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Shakespears&#8217; &#8220;The Merchant of Venice&#8221; Let me say this is one of my favorite plays, and there are just so many monologues worth while. Funny enough, they arent as used for auditions as they could be so they still seem refreshingly unexpected. This one is by the Prince of Morrocco as he deliberates which chest to open: gold, silver or lead. </em>: </p>
<p>Some god direct my judgment! Let me see&#8211;I will survey th&#8217; inscriptions back again.</p>
<p><img src="http://www.breakalegg.com/wp-content/uploads/2009/06/Picture-31.png" alt="Picture 3" title="Picture 3" class="alignright size-full wp-image-1279" /></p>
<p>What says this leaden casket? &#8216;Who chooseth me must give and hazard all he hath.&#8217;</p>
<p>Must give &#8212; for what? for lead! hazard for lead? This casket threatens; men that hazard all</p>
<p>Do it in hope of fair advantages. A golden mind stoops not to shows of dross;</p>
<p>I&#8217;ll then nor give nor hazard aught for lead. What says the silver with her virgin hue?</p>
<p>&#8216;Who chooseth me shall get as much as he deserves.&#8217; As much as he deserves? Pause there, Morocco,</p>
<p>And weigh thy value with an even hand: If thou be&#8217;st rated by thy estimation,</p>
<p>Thou dost deserve enough; and yet enough May not extend so far as to the lady;</p>
<p>And yet to be afeard of my deserving Were but a weak disabling of myself.</p>
<p>As much as I deserve? Why that&#8217;s the lady! I do in birth deserve her, and in fortunes,</p>
<p>In graces, and in qualities of breeding; But more than these, in love I do deserve.</p>
<p>What if I strayed no farther, but chose here? Let&#8217;s see once more this saying graved in gold:</p>
<p>&#8216;Who chooseth me shall gain what many men desire.&#8217; Why that&#8217;s the lady! All the world desires her;</p>
<p>From the four corners of the earth they come To kiss this shrine, this mortal breathing saint.</p>
<p>The Hyrcanian deserts and the vasty wilds Of wide Arabia are as thoroughfares now</p>
<p>For princes to come view fair Portia. The watery kingdom, whose ambitious head</p>
<p>Spits in the face of heaven, is no bar To stop the foreign spirits, but they come</p>
<p>As o&#8217;er a brook to see fair Portia. One of these three contains her heavenly picture.</p>
<p>Is&#8217;t like that lead contains her? &#8216;Twere damnation To think so base a thought; it were too gross</p>
<p>To rib her cerecloth in the obscure grave. Or shall I think in silver she&#8217;s immured,</p>
<p>Being ten times undervalued to tried gold? O sinful thought! Never so rich a gem</p>
<p>Was set in worse than gold. They have in England A coin that bears the figure of an angel</p>
<p>Stamped in gold &#8212; but that&#8217;s insculped upon; But here an angel in a golden bed</p>
<p>Lies all within. Deliver me the key. Here do I choose, and thrive I as I may!</p>
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		<title>MONOLOGUE: &#8220;Collaboration&#8221; by Kellie Powell (female, contemp.)</title>
		<link>http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/</link>
		<comments>http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/#comments</comments>
		<pubDate>Mon, 25 May 2009 12:34:48 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[ACTING]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

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		<description><![CDATA[<em>Like every week we post a monologue for you to enjoy. This week it’s from Kellie Powells' play: Collaboration. It is a contemporary female role.</em>

<strong><span style="font-family: verdana;"><em>Kim confesses to her friend (and sometimes-lover) Shane</em></span><span style="font-family: verdana;"><em>hat she has been in love with him for  several years.</em></span></strong> <p>Continue reading <a href="http://www.breakalegg.com/2009/05/25/monologue-collaboration-by-kellie-powell-female-contemp/">MONOLOGUE: &#8220;Collaboration&#8221; by Kellie Powell (female, contemp.)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it’s from Kellie Powells&#8217; play: Collaboration. It is a contemporary female role.</em></p>
<p><strong><span style="font-family: verdana;"><em>Kim confesses to her friend (and sometimes-lover) Shane</em></span><span style="font-family: verdana;"><em>hat she has been in love with him for  several years.</em></span></strong></p>
<p><strong><span style="font-family: verdana;">KIM:</span></strong><span style="font-family: verdana;"> I wanted those moments &#8211; few and far between as they were&#8230; I wanted whatever time and affection  you could give me. No matter what it cost me. I felt like you found comfort in me. And maybe I wasn&#8217;t  your first choice, you know? But I was glad that I was somewhere on the list. I let it happen again  and again, more times than I can even count.</span></p>
<p><span style="font-family: verdana;">You wanted to keep things casual, you wanted to keep me at arm&#8217;s length. It didn&#8217;t matter. I love you  anyway. I&#8217;ve seen the best and the worst of you&#8230; and I love you. I love your kindness, and your  strength. I love the way you can tell me what I&#8217;m thinking. I love the way you tell a story, drawing  me in. I love you for all the times you convinced me, with a stupid joke, or even just a look&#8230;  to stop taking myself so seriously and just <em>enjoy my life</em>. Nothing could ever make me regret the  way I feel about you. What I feel for you isn&#8217;t a negative thing. It makes me better, it makes my life  better. That&#8217;s what I&#8217;ve been trying to say: That love is never wrong.</span></p>
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		<title>MONOLOGUE: &#8220;CAPTAINS MONOLOGUE&#8221; By August Strindberg (male, Dramatic, 1916)</title>
		<link>http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/</link>
		<comments>http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/#comments</comments>
		<pubDate>Fri, 01 May 2009 12:28:44 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=1159</guid>
		<description><![CDATA[<em>Like every week we post a monologue for you to enjoy. This week it's from August Strindberg play: The Father. It is a senior male role. Enjoy</em>

<strong>CAPTAIN:</strong> Come in, and we'll talk. I heard you out there                         listening. It is late, but we must come to some decision. Sit                         down. <em>[Pause]</em> <p>Continue reading <a href="http://www.breakalegg.com/2009/05/01/monologue-captains-monologue-by-august-strindberg-male-dramatic-1916/">MONOLOGUE: &#8220;CAPTAINS MONOLOGUE&#8221; By August Strindberg (male, Dramatic, 1916)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em>Like every week we post a monologue for you to enjoy. This week it&#8217;s from August Strindberg play: The Father. It is a senior male role. Enjoy</em></p>
<p><strong>CAPTAIN:</strong> Come in, and we&#8217;ll talk. I heard you out there                         listening. It is late, but we must come to some decision. Sit                         down. <em>[Pause]</em> I have been at the post office tonight to                         get my letters. From these it appears that you have been keeping                         back my mail, both coming and going. The consequence of which                         is that the loss of time has as good as destroyed the result                         I expected from my work. In consequence of all this I have intercepted                         letters addressed to you. It appears from these letters that                         for some time past you have been arraying my old friends against                         me by spreading reports about my mental condition. And you have                         succeeded in your efforts, for now not more than one person exists                         from the Colonel down to the cook, who believes that I am sane.                         Now these are the facts about my illness; my mind is sound, as                         you know, so that I can take care of my duties in the service                         as well as my responsibilities as a father; my feelings are more                         or less under my control, as my will has not been completely                         undermined; but you have gnawed and nibbled at it so that it                         will soon slip the cogs, and then the whole mechanism will slip                         and go smash. <em>[Pause]</em> I have worked and slaved for you,                         your child, your mother, your servants; I have sacrificed promotion                         and career; I have endured torture, flaggellation, sleeplessness,                         worry for your sake, until my hair has grown gray; and all that                         you might enjoy a life without care, and when you grew old, enjoy                         life over again in your child. This is the commonest kind of                         theft, the most brutal slavery. <em>[Cries]</em> I thought I was                         completing myself when you and I became one, and therefore you                         were allowed to rule, and I, the commander at the barracks and                         before the troops, became obedient to you, grew through you,                         looked up to you as to a more highly-gifted being, listened to                         you as if I had been your undeveloped child. You always had the                         advantage. You could hypnotize me when I was wide awake, so that                         I neither saw nor heard, but merely obeyed; you could give me                         a raw potato and make me imagine it was a peach; you could force                         me to admire your foolish caprices as though they were strokes                         of genius. You could have influenced me to crime, yes, even to                         mean, paltry deeds. Because you lacked intelligence, instead                         of carrying out my ideas you acted on your own judgment. But                         when at last I awoke, I realized that my honor had been corrupted                         and I wanted to blot out the memory by a gread deed, an achievement,                         a discovery, or an honorable suicide. I wanted to go to war,                         but was not permitted. It was then that I threw myself into science.                         And now when I was about to reach out my hand to gather in its                         fruits, you chop off my arm. Now I am dishonored and can live                         no longer, for a man cannot live without honor.</p>
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		<title>MONOLOGUE: &#8220;Manhattan&#8221; By Woody Allen. (Male, contemporary)</title>
		<link>http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/</link>
		<comments>http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 10:15:09 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
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		<description><![CDATA[<strong>Ike:</strong> "Chapter One.  He adored New York City.  He idolized it all  out of proportion."  Uh, no, make that: "He-he...romanticized it all out of  proportion.  Now...to him...no matter what the season was, this was still a town  that existed in black and white and pulsated to the great tunes of George Gershwin."  Ahhh, now let me start this over.  "Chapter... <p>Continue reading <a href="http://www.breakalegg.com/2009/04/27/monologue-manhattan-by-woody-allen-male-contemporary/">MONOLOGUE: &#8220;Manhattan&#8221; By Woody Allen. (Male, contemporary)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>Ike:</strong> &#8220;Chapter One.  He adored New York City.  He idolized it all  out of proportion.&#8221;  Uh, no, make that: &#8220;He-he&#8230;romanticized it all out of  proportion.  Now&#8230;to him&#8230;no matter what the season was, this was still a town  that existed in black and white and pulsated to the great tunes of George Gershwin.&#8221;  Ahhh, now let me start this over.  &#8220;Chapter One.  He was too romantic about Manhattan  as he was about everything else.  He thrived on the hustle&#8230;bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles.&#8221;  Nah, no&#8230;corny, too corny&#8230;for&#8230;my taste.<br />
<strong>[He clears his throat]</strong><br />
I mean, let me try and make it more profound. &#8220;Chapter One. He adored New York City. To him, it was a metaphor for the decay of the contemporary culture. The same lack of individual integrity to cause so many people to take the easy way out&#8230;was rapid ly turning the town of his dreams in&#8211;&#8221; No, it&#8217;s gonna be too preachy. I me and, you know&#8230;let&#8217;s face it, I wanna sell some books here. &#8220;Chapter One. He adored New York City, although to him, it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage.&#8221; Too angry. I don&#8217;t wanna be angry. &#8220;Chapter One. He was as&#8230;tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.&#8221; I love this. &#8220;New York was his town. And it always would be.&#8221;</p>
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		<title>MONOLOGUE: THE ROMANTIC YOUNG LADY by Gregorio Martinez (Femae, comedic, 1920&#8242;s)</title>
		<link>http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/</link>
		<comments>http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/#comments</comments>
		<pubDate>Sun, 08 Feb 2009 14:42:58 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
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		<description><![CDATA[<strong>DOÑA BARBARITA:</strong> I was jealous of every woman my first husband looked in the face ... and he was a portrait painter, do you remember? My second husband suffered tortures from his own jealousy ... of your grandfather. That was premature, but prophetic, for your dear grandfather was our neighbor in those days and he used to stand and look at me from his balcony. And then he in his turn tortured himself... <p>Continue reading <a href="http://www.breakalegg.com/2009/02/08/monologue-the-romantic-young-lady-by-gregorio-martinez-femae-comedic-1920s/">MONOLOGUE: THE ROMANTIC YOUNG LADY by Gregorio Martinez (Femae, comedic, 1920&#8242;s)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>DOÑA BARBARITA:</strong> I was jealous of every woman                         my first husband looked in the face &#8230; and he was a portrait                         painter, do you remember? My second husband suffered tortures                         from his own jealousy &#8230; of your grandfather. That was premature,                         but prophetic, for your dear grandfather was our neighbor in                         those days and he used to stand and look at me from his balcony.                         And then he in his turn tortured himself, poor man, with jealousy                         of my second husband, who was dead by that time to be sure &#8230;                         but that only seemed to make it worse. When I think of the times                         I&#8217;ve walked into my first husband&#8217;s studio, shaking all over,                         to see what sort of woman he was painting this time &#8230; and how                         much of her, and of the times when I&#8217;d glance up at your grandfather                         on his balcony and let my dear second husband imagine &#8230; God                         forgive me &#8230; that I was smiling at him; and then when your                         grandfather would catch me looking at my poor second husband&#8217;s                         portrait &#8230; my first husband had painted it while they were                         both alive &#8230; and if I wanted to drive him to fury, I&#8217;d only                         to give one sigh. Well, now they&#8217;re in Heaven all three and I&#8217;m                         almost sorry I worried them so. <em>[She kisses the three pictures.] </em>But never forget that I was an obedient wife, gentle and                         loving, an angel of the fireside, an angel in crinoline. No doubt                         it&#8217;s far nobler to &#8220;live your own life&#8221; (isn&#8217;t that                         what you call it?) but I fear you&#8217;ll never find it so amusing.</p>
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		<title>MONOLOGUE: POOR JOHN by Gregorio Martinez Sierra (Male, comedy, contemp)</title>
		<link>http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/</link>
		<comments>http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/#comments</comments>
		<pubDate>Sun, 02 Nov 2008 09:43:53 +0000</pubDate>
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		<description><![CDATA[<p><em><strong>JOHN:</strong></em> How can you expect a man to be brave when he meets with nothing in life but misfortune? Everything has gone wrong with me since the day I was born. Whatever I put my hand to fails utterly. You know it better than I do. I was brought up to be rich, and I am poor. I studied law, and I cannot string three words together. A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly. To save the little that remains to us after the folly of my father, I need to be unscrupulous and bold, yet my mother, God bless her, has taught me to be good, good, always good! Yes, laugh &#8230; but this is not living.&#8230;</p> <p>Continue reading <a href="http://www.breakalegg.com/2008/11/02/monologue-poor-john-by-gregorio-martinez-sierra-male-comedy-contemp/">MONOLOGUE: POOR JOHN by Gregorio Martinez Sierra (Male, comedy, contemp)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em><strong>JOHN:</strong></em> How can you expect a man to be brave when he meets with nothing in life but misfortune? Everything has gone wrong with me since the day I was born. Whatever I put my hand to fails utterly. You know it better than I do. I was brought up to be rich, and I am poor. I studied law, and I cannot string three words together. A man must be strong in that profession, he must have vigor of body and mind, yet I am all out of breath if I walk up a hill; I have not the heart to crush even a fly. To save the little that remains to us after the folly of my father, I need to be unscrupulous and bold, yet my mother, God bless her, has taught me to be good, good, always good! Yes, laugh &#8230; but this is not living. I don&#8217;t know what I should do if it were not for you. If it were not for you &#8230; I might be the one who shot myself. But you have been so good to me, so kind &#8230; all the happiness I have ever known in my life until now, has sprung from you&#8211;it may have been only a little, now and then, in small things, trifles, help, advice. It was presumptuous of me, Mariana, but I am so accustomed to relying upon you, that I imagined that the treasure was all mine. Besides, I love you so&#8211;why should you not be all goodness, Mariana, and take me like a little child into your life, like a toy that you play with, or a dog of which you are fond? But let me be yours, all yours, because I love you! If you could love me only a little I should be satisfied. A little is enough.</p>
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		<title>MONOLOGUE:THE BACHELOR&#8217;S SOLILOQUY by Anonymous (male, classic, comedy)</title>
		<link>http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/</link>
		<comments>http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/#comments</comments>
		<pubDate>Sat, 18 Oct 2008 10:41:50 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
		<category><![CDATA[CLASSIC]]></category>
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		<guid isPermaLink="false">http://www.breakalegg.com/?p=609</guid>
		<description><![CDATA[<p><a href="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001.jpg"><img class="size-medium wp-image-610 alignright" title="sb10067018e-001" src="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001-225x300.jpg" alt="&#60;p&#62;&#60;/p&#62;" width="225" height="300" /></a></p>
<p>BACHELOR: To wed, or not to wed;&#8211;that is the question:</p>
<p>Whether &#8217;tis nobler in a man to suffer<br />
The slings and sorrows of that blind young archer;<br />
Or fly to arms against a host of troubles,</p>
<p>And at the altar end them. To woo&#8211;to wed&#8211;<br />
No more; and by this step to say we end<br />
The heartache, and the thousand hopes and fears<br />
The single suffer&#8211;&#8217;tis a consummation</p>
<p>Devoutly to be wished. To woo&#8211;to wed;&#8211;<br />
To wed&#8211;perchance repent!&#8211;ay, there&#8217;s the rub;<br />
For in that wedded state, what woes may come<br />
When we have launched upon that untried sea<br />
Must give us pause. There&#8217;s the respect</p>
<p>That makes celibacy of so long life;<br />
For who would bear the quips and jeers of friends,<br />
The husband&#8217;s pity, and the coquette&#8217;s scorn,<br />
The vacant hearth, the solitary cell,<br />
The&#8230;</p> <p>Continue reading <a href="http://www.breakalegg.com/2008/10/18/monologuethe-bachelors-soliloquy-by-anonymous-male-classic-comedy/">MONOLOGUE:THE BACHELOR&#8217;S SOLILOQUY by Anonymous (male, classic, comedy)</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001.jpg"><img class="size-medium wp-image-610 alignright" title="sb10067018e-001" src="http://www.breakalegg.com/wp-content/uploads/2008/10/sb10067018e-001-225x300.jpg" alt="&lt;p&gt;&lt;/p&gt;" width="225" height="300" /></a></p>
<p>BACHELOR: To wed, or not to wed;&#8211;that is the question:</p>
<p>Whether &#8217;tis nobler in a man to suffer<br />
The slings and sorrows of that blind young archer;<br />
Or fly to arms against a host of troubles,</p>
<p>And at the altar end them. To woo&#8211;to wed&#8211;<br />
No more; and by this step to say we end<br />
The heartache, and the thousand hopes and fears<br />
The single suffer&#8211;&#8217;tis a consummation</p>
<p>Devoutly to be wished. To woo&#8211;to wed;&#8211;<br />
To wed&#8211;perchance repent!&#8211;ay, there&#8217;s the rub;<br />
For in that wedded state, what woes may come<br />
When we have launched upon that untried sea<br />
Must give us pause. There&#8217;s the respect</p>
<p>That makes celibacy of so long life;<br />
For who would bear the quips and jeers of friends,<br />
The husband&#8217;s pity, and the coquette&#8217;s scorn,<br />
The vacant hearth, the solitary cell,<br />
The unshared sorrow, and the void within,<br />
When he himself might his redemption gain</p>
<p>With a fair damsel. Who would beauty shun<br />
To toil and plod over a barren heath;<br />
But that the dread of something yet beyond&#8211;</p>
<p>The undiscovered country, from whose bourne<br />
No bachelor returns&#8211;puzzles the will,<br />
And makes us rather bear those ills we have</p>
<p>Than fly to others that we know not of!<br />
Thus forethought does make cowards of us all,<br />
And thus the native hue of resolution<br />
Is sicklied o&#8217;er with the pale cast of thought,<br />
And numberless flirtations, long pursued,</p>
<p>With this regard, their currents turn awry<br />
And lose the name of marriage.</p>
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		<title>MONOLOGUE: ELEPHANT by Margie Stokley (Female, Teen, 1980)</title>
		<link>http://www.breakalegg.com/2008/09/26/monologue-elephant-by-margie-stokley-female-teen-1980/</link>
		<comments>http://www.breakalegg.com/2008/09/26/monologue-elephant-by-margie-stokley-female-teen-1980/#comments</comments>
		<pubDate>Fri, 26 Sep 2008 16:01:46 +0000</pubDate>
		<dc:creator>Admin</dc:creator>
				<category><![CDATA[Monologues]]></category>
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		<category><![CDATA[MONOLOGUE]]></category>

		<guid isPermaLink="false">http://www.breakalegg.com/?p=270</guid>
		<description><![CDATA[<strong><em>At 17, MICHELLE is bright and direct in her group therapy session. Applying lipstick, SHE addresses the audience as the group... </em></strong> <p>Continue reading <a href="http://www.breakalegg.com/2008/09/26/monologue-elephant-by-margie-stokley-female-teen-1980/">MONOLOGUE: ELEPHANT by Margie Stokley (Female, Teen, 1980)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong><em>At 17, MICHELLE is bright and direct in her group therapy session. Applying lipstick, SHE addresses the audience as the group. </em></strong></p>
<p>MICHELLE: Hi. My name is Michelle (SHE<em> does a crazy gesture and noise that somehow mocks suicide.</em>) Just kidding. No, really-thrilled to be here. What do you want to know? What do you want me to say…</p>
<p><em>(Silence)</em></p>
<p>Oh, wait, that’s right. This is not a conversation-it’s a session. This is my first time to share, with complete strangers how I feel…Well, I feel like talking about trees. How do you feel about them? Wait. Please, don’t speak..let me. My fascination stems from this one tree. (SHE silently mouths “stems” again to emphasize the irony.) Rough crowd. (<em>A pause</em>) Well, its gigantic and right outside my bedroom window. Some nights I feel like it wants in. Wants into my perfect pink-and-white-striped room. My room is perfect, not because its everything I want. Its just perfectly planned, the pillows, the balloon shades, the pictures, the bed, the window seat, my stuffed animals. I have even more animals under my bed. I have guilt about suffocating them…I feel…it doesn’t matter. They don’t match. (A <em>pause</em>) They really don’t. Well, it cant fall now because I just predicted it. What you think is going to happen – never does. It’s a relief. You cant know it all. I just feel like in my movie that’s what will happen. There’ll be a huge thunderstorm with lightning, my tree will explode, and I’ll be crushed. I can see myself split in half. I don’t want to be surrounded by all those people who would need to be there if I got crushed. I am over groups. No offense.</p>
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		<title>MONOLOGUE: BAD DATES by Theresa Rebeck (Female, Contemporary)</title>
		<link>http://www.breakalegg.com/2008/09/13/monologue-bad-dates-by-theresa-rebeck-female-contemporary/</link>
		<comments>http://www.breakalegg.com/2008/09/13/monologue-bad-dates-by-theresa-rebeck-female-contemporary/#comments</comments>
		<pubDate>Sat, 13 Sep 2008 13:02:40 +0000</pubDate>
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		<guid isPermaLink="false">http://www.breakalegg.com/?p=172</guid>
		<description><![CDATA[<em><strong>HALEY, a successful restaurateur and single mom- in her late 30s early 40s, thinks shes finally met Mr Right. In the monologue she calls her brother for advice and then the date.</strong></em>

<em><strong>(She reaches for the phone and dials)</strong></em>

<strong>HALEY:</strong> Hey, its me. No, not yet, he’s coming over tonight. B.J. stop it! I'm too nervous right now you cant make fun of me. Yes. Ha ha. Yes of course I got rid of her, she’s spending the night at Emily’s. No, honey, he more than assumes, its been stated specifically, the plan is that he comes over, we order Chinese take-out and then actually do the deed on the living room floor before the food even gets here. (she laughs)What? I guess... <p>Continue reading <a href="http://www.breakalegg.com/2008/09/13/monologue-bad-dates-by-theresa-rebeck-female-contemporary/">MONOLOGUE: BAD DATES by Theresa Rebeck (Female, Contemporary)</a></p>]]></description>
			<content:encoded><![CDATA[<p><em><strong>HALEY, a successful restaurateur and single mom- in her late 30s early 40s, thinks shes finally met Mr Right. In the monologue she calls her brother for advice and then the date.</strong></em></p>
<p><em><strong>(She reaches for the phone and dials)</strong></em></p>
<p><strong>HALEY:</strong> Hey, its me. No, not yet, he’s coming over tonight. B.J. stop it! I&#8217;m too nervous right now you cant make fun of me. Yes. Ha ha. Yes of course I got rid of her, she’s spending the night at Emily’s. No, honey, he more than assumes, its been stated specifically, the plan is that he comes over, we order Chinese take-out and then actually do the deed on the living room floor before the food even gets here. (she laughs)What? I guess.</p>
<p>(<em>She checks her phone. Moves nervous) </em></p>
<p>A little. (<em>Beat</em>)A little, just a little, don’t make it a big thing, it’s a little. OK. An hour. Hes almost an hour late, but-oh don’t do that silence thing. He’s a busy guy, sometimes he’s late. Im not going to turn into one of those psycho girlfriends who thinks the worst when a guy’s a little late.<br />
<em>(Beat)</em> Shit!</p>
<p>You think I should call him?- Yes I have his cell. –Stop it would you?- Yes Ill call him, I will, I will. Yes, Ill call you back of course Ill call you back.</p>
<p><em>(She hangs up the phone)<br />
(To herself) Jerk.<br />
(She paces, picks up the phone and dials)</em><br />
<strong>HALEY:</strong> Yeah, Hi, Lewis? Uh, Its Haley, I was just wondering what happened to you. So, just give me a call when you get this, or maybe Ill see you first. You&#8217;re probably on your way. Okay. Bye.</p>
<p><em>(She hangs up, embarrassed at herself.)</em>Shit. Shit.</p>
<p><em>(She goes out into the hallway, nervous, and returns holding a phonebook in her hands, sits on the bed and opens it.)</em> be here be here be here-yes.</p>
<p><em>(On the phone)</em> Oh. Hello! Hello, I was wondering, is, um Lewis there?(Beat) Uh, Haley.</p>
<p><em>(She looks up at the ceiling, suddenly trying to hold back tears.)</em></p>
<p>Yes, Hello Lewis. I uh, was wondering what happened to you, I think we said eight o’clock, and- Uh huh. Oh, Uh huh. (Beat) Yeah, of course no, Im not- angry Im just disappointed, that’s all. But not, uh…Listen can I just ask, does that have anything to do with the woman who just answered the phone? (beat) You did, yes you told me about her but you said that had , that that had “gone south” and-</p>
<p><em>(Haley listens, nod her head)</em></p>
<p>Oh, Oh! You&#8217;re living together. No, Im sorry, I didn’t understand that . I thought “went south” meant, “went south”. <em>(Quick beat)</em>. Im not –accusing, Oh God that’s so- Listen its fine, I don’t. I just thought something else was going on which was obviously my mistake. But I do, you know, I just don’t quite understand why you didn’t call. I mean, it sounds like you came to this decision sometime before this very instant. (Beat) So my point being, were you ever going to call and tell me about it? I mean, Ive been waiting here for an hour and a half, expecting you to come over for some big romantic- and you clearly had no plans to come and were you just going to let me figure that out on my own in the most humiliating way possible?  Okay, Yeah, I guess I am angry, I-<br />
<em><br />
(She stops, not trying to lose it, takes a deep breath).</em></p>
<p>You know what? I don’t want to talk about this anymore. I have to go. And don’t come into my restaurant even if someone as stupid as me calls you and invites you, don’t even think about it, because you know what? We don’t serve lying deceitful cheating fucking cowards!</p>
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		<title>MONOLOGUE: DRIFT by Jon Tuttle (Male, Contemporary, Comedic)</title>
		<link>http://www.breakalegg.com/2008/09/06/drift-by-jon-tuttle-male-contemporary-comedic/</link>
		<comments>http://www.breakalegg.com/2008/09/06/drift-by-jon-tuttle-male-contemporary-comedic/#comments</comments>
		<pubDate>Sat, 06 Sep 2008 23:43:29 +0000</pubDate>
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				<category><![CDATA[Monologues]]></category>
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		<guid isPermaLink="false">http://www.breakalegg.com/?p=94</guid>
		<description><![CDATA[<strong><em>LEE is a wisecracking, cynical, private investigator. In this monologue, he’s talking to some other guys in a bar about his views on marriage. </em></strong>

<strong>LEE: </strong>I don’t know.

Being married… Its like…Its like chewing the same damn gum <em>ove</em>r and <em>over</em> and <em>over</em> for the <em>rest</em> of your life. Sometimes, sometimes you need some new gum!... <p>Continue reading <a href="http://www.breakalegg.com/2008/09/06/drift-by-jon-tuttle-male-contemporary-comedic/">MONOLOGUE: DRIFT by Jon Tuttle (Male, Contemporary, Comedic)</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong><em>LEE is a wisecracking, cynical, private investigator. In this monologue, he’s talking to some other guys in a bar about his views on marriage. </em></strong></p>
<p><strong>LEE: </strong>I don’t know.</p>
<p>Being married… Its like…Its like chewing the same damn gum <em>ove</em>r and <em>over</em> and <em>over</em> for the <em>rest</em> of your life. Sometimes, sometimes you need some new gum!</p>
<p>(<em>Pause</em>)</p>
<p>Some Juicy Fruit. Huh?&#8230; Some <em>Bazooka</em>! Boom, Pow! Fidelity, hey, for my money Im all for it. But its not the same thing as monogamy.</p>
<p>This is a common mistake. Monogamy—its demeaning, its an imposition on nature. Nature abhors a wedding. Its blackmail! The whole thing. And that’s all it is.</p>
<p><em>(Pause</em>)</p>
<p>And they work it so the only fucking thing harder’n bein’ married is getting divorced. Know how easy it is to get a divorce in Egypt? You walk up to her and say:”I divorce thee, I divorce thee, I divorce thee”. Three times. Boom!</p>
<p>That was like in olden times. Tijuana, you get a divorce for what, fifty bucks. Here? <em>Christ</em>. Here its easier to fake your own death. My wife, we litigated like wolverines…You think you know somebody? You’re say your <em>married </em>to her, you <em>live</em> with her? So <em>what</em>. You divorce somebody you see shit you never seen before.<br />
<em><br />
(Pause, he drinks, thinks.)</em></p>
<p>…People are vicious fucks. You know? People are savage, flesh-eating vicious fucks…and I happen to have a high opinion of people.</p>
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