MONDAY COMES WITH TOO MANY LINKS…

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FOUR OF THE TOP TEN ACTING TECHNIQUES WE NEED TO LOSE

Here is a great article from Broadway Mouth that exemplifies how modern theater actors need change and an evolution in techniques that is paralell to the one happening in the medium. For the full article…Click Here.

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BOOK REVIEW: THE TRANSPERSONAL ACTOR Reinterpreting Stanislavski by Ned Manderino

Manderino  makes very good points with which I agree right off the bat. Such as the need to respect for tradition, but the belief that techniques of Stanislavski or Boleslavski should have been used as a springboard for further development. Not as something static…

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WEEKLY BOOK REVIEW: ART BY COMMITTEE by Charna Halpern

Like every week we post a book review on a subject related to acting, health, personal growth or anything related to the showbiz industry. In this case we talk about ART BY COMMITTEE A guide to advanced improvisation by Charna Halpern.

The book is a follow-up to the book Truth In Comedy, in which the author explains in detail the Harold method used at the i.O. (formerly Improv Olympic) in Chicago and the i.O. West in Los Angeles where actors such as Tina Fey, Chris Farley, Mike Meyers…etc have all studied. And in all honesty, she refers quite a bit to such method throughout the first half of the book without really explaining it which can be very annoying if you haven’t read it.

Basically the Harold method is a technique to have all actors from a group onstage at the same time in…

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BOOK REVIEW: ACCENTS By Robert Blumenfeld

Like every week we post a book review on a subject related to acting, health, personal growth or anything related to the showbiz industry. In this case its Robert Blumenfeld’s revised and expanded edition of “Accents: A manual for actors”.

It’s a great tool to give us actors and one that is so complete is hard to come along. The one-place to find it all.

The book includes:
-Asian Accents: Chinese, Mandarin, Cantonese, Japanese, Korean, Vietnamese, Burmese, Thai, Indonesian….etc
-African Accents: South African, Zulu, Sub-Saharan, Ethiopian, Nigerian, Ugandan, Congo, Swahili…etc.
-Middle Eastern: Arabic Accents, Egyptian, Hebrew, Persian…etc
-Slavic Accents: Russian, Ukrainian, Polish, Slovak, Czech, Bulgarian, Serbo-Croatian…
-Germanic Accents: German, Prussian, Bavarian, Viennese, Yiddish, Dutch, Norwegian, Danish, Swedish…etc
-Romance Accents: French, Spanish, Italian, Portuguese, Romanian…etc.

But what is truly impressive is that it separates…

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